Hollywood cinema has often featured Native American men in Westerns as brutal, hypermasculine barbarian warriors, and Native American women as hyper-sexualised or a quiet subservient. They'd also often be portrayed by white actors in brownface.
How remarkable that a Predator prequel aimed to set this injustice right?
Despite not being of Native American descent, director Dan Trachtenberg and writer Patrick Aison knew that they needed to make this movie as authentic as possible to the 1700s in the Great Plains, and not only did they get the advice of the Native communities, they involved them in every aspect of making Prey, and this started with producer Jhane Myers - the VIP of this movie.
Myers was instrumental on the authenticity and representation of the Comanche in Prey, as well as ensuring that a variety of roles, both in front and behind the camera, were First Nations people, with Native interns in the crew at all levels, as well as first time Native actors, led by an impeccable lead performance by Amber Midthunder.
But the greatest contributions came from community and tribal elders, who advised not only on language and specific tribal culture, including weapons, customs, face painting and regalia. Comanche is classified as a severely endangered world language, which makes it even more incredible that we got a Comanche dub of this movie. It’s more important than ever to preserve this language.
Prey is as authentic to Comanche tradition as it can be, and it's the best Predator movie by far. Yeah, I said what I said.
I would love to hear your thoughts on Prey (2022) !
Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!
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