In this episode of "Here, There, and Everywhere," Jack Lawless sits down with the incredibly talented actress, Ella Ballentine, for an enlightening conversation about the enduring influence of The Beatles. Acting for over 10 years, Ella has been the lead of several films including “the Black Conflux” which premiered at the Toronto International Film Festival, and the A24 film, “the Monster”. She’s worked alongside of the notable actors such as Martin Sheen, Laurence Fishburne, Susana Sarandon, and more. She is also a winner of the Canadian Screen Award.

In this interview, Jack and Ella discuss their favorite Beatles songs, talk about why the Beatles are still relevant in the 21st century, and Ella chooses three Beatles songs that would be the best introductory songs to the band.

Follow Ella on Instagram: Instagram.com/EllaBallentine

Check out Ella's website: EllaBallentine.com

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The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.

Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.

Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again.

Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours.

The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham.

Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Ballentine was born in Toronto, Canada to parents Eva and Blake Ballentine. She is a graduate of the Etobicoke School of the Arts in Toronto.[5] She began her acting career as a child actor on the Toronto stage production of The Railway Children, directed by Damian Cruden (2011) for Mirvish Productions.[6] She went on to appear in other stage performances, including the lead role in Numbers, at the Toronto Fringe Festival(2013),[7][8] and as Little Cosette / Young Eponine[9] in the 25th Anniversary production of Les Misérables(2013), directed by Laurence Connor and James Powell for Mirvish Productions. Also in 2013, she was invited to the Hilary Weston Writers' Trust Prize for Nonfiction Gala as one of the performers to read from one of the five prize-nominated titles.[10]

Her first TV role came in a Hallmark Channel movie, Baby's First Christmas (2012), in which she played Karen, a primary character with Casper Van Dienin a lead role.[11] She took on her first film role in Atom Egoyan's feature, The Captive (2013), an official selection for the 2014 Cannes Film Festival.[12]She went on to share the screen with Susan Sarandon, Gil Bellows and Christopher Heyerdahl, in The Calling. In her next larger TV movie role for Lifetime's Clara's Deadly Secret[13] (2013), she played Kate[13] alongside co-stars Emmanuelle Vaugier and Richard Ruccolo.

In the 2015 feature film Standoff, Ballentine portrays one of the lead characters, Bird, a young girl who finds protection with an ex-soldier (played by Thomas Jane) from a hit-man (played by Laurence Fishburne). Although the movie received mixed reviews,[14] Rene S. Garcia, Jr. of Workingauthor.com wrote "And let’s not forget Ella Ballentine. I typically have no faith in child actors, but Ella strikes the perfect tone with her burgeoning independence, but emotional and physical dependency." Eoin Friel from ActionElite felt that "Ella Ballentine almost steals the movie as Bird, the girl being pursued by Sade. The poor thing goes through an absolute nightmare and manages to never be the "annoying kid" in the film; she brings genuine heart to proceedings and is essential for Carter's redemption." In an interview on Collider, Jane stated "[Ella] was pretty wonderful. She was fun, too."

Ballentine's next big role cast her as co-lead in writer/director Bryan Bertino's horror film, The Monster (2016) with co-stars Zoe Kazan, and Scott Speedman. The Monster became an independent success and Ella received Fangoria magazine's 2017 Fangoria Chainsaw Award nomination for Best Supporting Actress. "If horror movie performances were given Oscars, [Kazan] would be a shoo-in. Same with Ballentine. These two are so believable," wrote Staci Layne Wilson in Dread Central.[18]Bloody Disgusting, an American horror genre website, called Ballentine "The Most Badass Horror Hero of 2016".[20] According to critics, in the horror movie, The Monster "the spooky-good Ella Ballentine"[21] came up as "a minor revelation." According to the Los Angeles Times' Justin Chang "Ballentine gives a fine, fierce performance as a child wise beyond her years and unafraid of confrontation",[23] and Matt Donato from We Got This Covered writes "Ballentine rolls with the punches well for an actress her age, and this shouldn’t be understated".

In 2016 Ballentine began her role as Anne Shirley in the three-part TV movie adaptation of the classic Canadian novel, Anne of Green Gables. L.M. Montgomery's Anne of Green Gables (2016) was the first instalment, followed by The Good Stars (2017),then Fire & Dew (2017). The other main characters were portrayed by Martin Sheen as Matthew Cuthbert and Sara Botsford as Marilla Cuthbert. Ballentine's performance again received critical success and landed her a Canadian Screen Award (2018). "Ballentine is charming as Anne," wrote Francesca Rudkin in the New Zealand Herald. Louise Keller in Urbancinefile states "[Ballentine] is outstanding. Wide-eyed and innocent, she proffers just the right amount of worldliness as the orphan who asks for just two things as she prays for the first time. That is a lovely scene." "I was absolutely delighted by actress Ella Ballentine’s portrayal of Anne Shirley. She was a worthy Anne." wrote Sarah M. Miduski. In an interview with Entertainment Weekly, Sheen says "I adore [Ella]...She’s an extraordinary talent...She’s remarkable. And she’s very funny as well. We have great fun on the set and she’s got a great sense of humor. She’s a joy to work with."

In 2019 Ballentine plays the lead, Jackie in Nicole Dorsey's Black Conflux (2019) with Ryan McDonald as her co-lead. Stephan Dalton of The Hollywood Reporter praised Ballentine's "luminous acting".