Why Dance Matters celebrates its 50th episode in conversation with one of the world’s great ballerinas. Olga Smirnova’s Giselle with Dutch National Ballet will be broadcast to international cinemas on 21 January. She joined the company after making headlines in 2022 with a courageous, life-changing decision to leave Moscow’s Bolshoi Ballet in response to Russia’s invasion of Ukraine. In a wide-ranging and thoughtful conversation, she discusses stage fright (she never feels it), the challenges of being a ballerina in the age of smartphones, her momentous decision to leave Russia and her profound sense of why dance matters.As a young girl, Olga Smirnova had no dream of becoming a ballerina. However, she did go to dance classes, and was then accepted into the famous Vaganova Ballet Academy in St Petersburg. On completing her training in 2011, she joined the Bolshoi Ballet, starting immediately as a soloist and shining not only in the classics, but also in new and modern works. In 2016, she was promoted to prima ballerina, but when Russia invaded Ukraine in 2022, Olga – strongly opposed to the invasion – decided to leave her homeland, making the transition to Dutch National Ballet.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

We launch the new season of Why Dance Matters with a vital figure in African contemporary dance. Wesley Ruzibiza discovered dance almost by accident – he was studying financial management at the University of Rwanda when he decided to sample a dance class. It set him on the path to becoming a choreographer and co-Artistic Director of the École des Sables in Senegal, one of the world’s most influential training organisations (their production of Pina Bausch’s Rite of Spring is an international sensation). Wesley grew up in turbulent times: Rwandan, he was raised in Kinshasa in Congo; the family was imprisoned for almost a year during the civil war. He recently created a festival around the idea of Tolerance – there’s no one better to ask about dance’s role in troubled times. Wesley Ruzibiza is a dancer, choreographer and co-Artistic Director of the École des Sables in Senegal. He is also Associate Professor at the CPARC research centres in Bordeaux, National University of Rwanda and Muda Africa School of Dance in Tanzania. His productions have toured all over the world and he co-founded the award-winning Amizero Company, with the University of Rwanda’s Centre for the Arts, and created the international festival EANT in 2012, one of the first professional contemporary platforms in East Africa.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

In 2021, Naomi Smart qualified as a teacher from the Royal Academy of Dance. ‘Never thought dance teaching was an option for me but here I am – Deaf people can do anything.’ What are the particular challenges around ballet and dance teaching for a Deaf teacher? How did Naomi create a way of teaching that works for her and her students, and what advice would she have for teachers trying to make their classes as inclusive and welcoming as possible?Naomi Smart is an RAD teacher based in London. She is also a writer and Deaf awareness activist, and is researching a PhD about community dance at Kings College London.Find out more about the work of the RADRead a transcript of this episodeFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Patrick Makuakane is a dance maker, teacher and hula master and recently received a fellowship from the MacArthur Foundation. The fellowships are given to preeminent artists and thinkers and are popularly known as the ‘genius’ awards. Patrick is a passionate and thoughtful advocate for hula, a form of dance inextricably linked with Hawaii’s history and culture. Born in Honolulu, Patrick is now based in San Francisco, where he has built a vibrant community of hula dancers and students. He speaks to us from Hawaii. Patrick Makuakāne studied hula with several kumu hula (master teachers) and received the title of kumu hula himself in 2003. He has been the director and founder of Nā Lei Hulu i ka Wēkiu, a community-centred hula company and cultural organisation, since 1985. He also serves as a spiritual and cultural advisor for the Native Hawaiian Religious Spiritual Group at San Quentin State Prison. His company has performed at venues in New York, San Francisco, Hawaii and New Orleans. He was awarded a Fellowship by the MacArthur Foundation in 2023.Find out more about the work of the RADRead a transcript of this episodeFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

The Silver Swans programme is one of the Royal Academy of Dance’s most life-enhancing initiatives. Silver Swans are people of 55 and over taking a specially-designed programme of RAD ballet classes: some are experiencing dance classes for the very first time, and describe how Silver Swans fosters physical and emotional wellbeing. Rebecca Yates, an RAD teacher in north east England has developed a committed community of Silver Swans. But what are the charms and challenges of teaching people old enough to be your parents? And has Rebecca herself been changed by her teaching? Rebecca Yates is Founder and Director of Complete Ballet CIC. She took her first classes at the Kathleen Burdon School of Ballet at the age of six, progressing through the full RAD examination syllabus and achieving RAD Registered Teacher Status in 2012. She has since become officially licenced to teach RAD’s Silver Swans and is a Practical Teaching Supervisor for the RAD to assess and support trainee dance teachers.Find out more about the work of the RADRead a transcript of this episodeFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

With members in over 80 countries around the world, and Royal Academy of Dance’s relationship with its members depends on its National Directors. They include Olivia Lume, who last year celebrated her 40th year with the RAD. As National Director for the Academy in Africa, she has lived through historic changes, and has seen the RAD grow, especially after its flagship event – now The Fonteyn, formerly the Genée International Ballet Competition – was held for the first time in Africa, in Cape Town in 2011. How did a professed non-dancer come to be crucially woven into the heart of a dance organisation?Olivia Lume is National Director, Africa, for the Royal Academy of Dance. She is based in Johannesburg, South Africa.Find out more about the work of the RADRead a transcript of this episodeFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Life changing moments with Why Dance Matters!We’ve made over 50 episodes of Why Dance Matters, and the conversations often hinge on life-changing moments. This special episode gathers some compelling chats about change. Some are personal choices which prove momentous: the unlikely decision to pursue ballet, or to host a ballet class in your front room. Others include being part of a major cultural event, like a movie the whole world is watching, or a period of historic change, happening before your eyes.  From Carlos Acosta to Barbie, here are moments that changed our guests’ lives: past, present, even future. And don’t forget to explore our previous episodes, for more life-changing conversation with the people for whom dance matters.Carlos Acosta is artistic director of Birmingham Royal Ballet. Dame Monica Mason is a Vice-President of the Royal Academy of Dance and former director of the Royal Ballet. Victoria Treviño is an RAD dance teacher based in Mexico. Jennifer White is a stage and film choreographer. Wayne McGregor is a choreographer and director of Company Wayne McGregor.Find out more about the work of the RADRead a transcript of this episodeFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Drew McOnie is a British choreographer and theatre director, and one of the busiest people in show business. He danced with Matthew Bourne’s New Adventures company, but soon wanted to run the show. His work hits a sweet spot between warm and witty, always with a kinetic fizz: whether in the West End, on Broadway or in ballet. His new version of the Nutcracker gives the festive favourite a sweetly queer twist, and next year sees his stage version of the Oscar winning movie The Artist. Drew became a father just a week before this recording – no wonder that we speak about making families in and out of dance.Drew McOnie is Artistic Director of the McOnie Company and an Associate Artist at the Old Vic and Birmingham Rep theatres. He won an Olivier Award for Best Theatre Choreography for In the Heights and was nominated for the same award the following year for Jesus Christ Superstar. His credits as director/choreographer include: On the Town (Olivier Award Nomination for Best Musical Revival), The Wild Party and Strictly Ballroom in the UK and King Kong on Broadway. Ballets include Merlin (Northern Ballet). The McOnie Company’s latest works are Nutcracker (Tuff Nutt Jazz Club), which runs until 6 January 2024, and The Artist, which opens in May 2024.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Jakob Wheway Hughes was gold medallist at the Royal Academy of Dance’s Margot Fonteyn International Ballet Competition 2023. The Fonteyn took place at His Majesty’s Theatre in London, the opulent home of Phantom of the Opera. Jakob performed a new solo and a bravura classical variation, and seemed strikingly at ease on stage, communicating his dance to the packed audience. It was no surprise that Dame Darcey Bussell, the RAD President, presented him with the gold medal. Jakob,16, who trains at Tring Park School tells us why dance matters to him.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Pam Tanowitz is now an in-demand choreographer – but her career has followed a unique trajectory. For years, she and her company had an under-the-radar following in New York, but only recently did she win wider attention. A work set to TS Eliot’s 4 Quartets led to international tours and commissions for the Royal Ballet and New York City Ballet. Before that happened she worked and worked: at dance, but also unglamorous admin jobs. When we met at the Barbican for the London premiere of her Song of Songs, she talked about giving hope to all the late bloomers. Pam Tanowitz has delineated her own dance language through decades of research and creation. Now, the world’s most respected companies – Martha Graham Dance Company, Royal Ballet, New York City Ballet and more – are integrating her poetic universe into their repertories. In 2000 she founded Pam Tanowitz Dance to explore dance-making with a consistent community of dancers. She has been commissioned by Fisher Center at Bard, Joyce Theater, Jacob’s Pillow and others. Four Quartets (2018) was called ‘the greatest creation of dance theater so far this century’ by the New York Times. Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Aaron S Watkin seems like a man who knows what he likes: perfect material to direct a leading ballet company, and to judge a leading ballet competition. The new artistic director of English National Ballet was recently a judge for the Royal Academy of Dance’s Margot Fonteyn International Ballet Competition in London. Canadian-born Aaron danced with many international companies and led the Semperoper Ballett in Dresden for 17 years, and has just taken charge at English National Ballet. What are the sensitive choices he must make as a director – and as a Fonteyn judge? Born in British Columbia, Canada, Aaron graduated from the National Ballet School of Canada in 1988. He enjoyed a full career in dance including National Ballet of Canada, English National Ballet, Dutch National Ballet, William Forsythe’s Ballett Frankfurt and the National Dance Company of Spain. Having been Associate Artistic Director in Madrid and a choreographic assistant to William Forsythe, he became Artistic Director of the Semperoper Ballett, Dresden in 2006. After a 17-year tenure he became Artistic Director of English National Ballet in 2023.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Why Dance Matters, we revisit a conversation from October 2022, in tribute to the poet, performer and activist Benjamin Zephaniah, who died earlier this month. As a performance poet he gave words a glorious physical form, his rhythms dancing from line to line. He had also provided a voiceover for Rambert’s dance version of the hit tv series Peaky Blinders. In our conversation, Benjamin was impressively candid about his journey, richly reflective about poetry, and also emotionally generous – unexpectedly moved when speaking about the generations of readers who have been touched and shaped by his work.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

This festive episode visits the pantomime: that uniquely British blend of song, dance, and silliness. Explaining its appeal is the cherished comic actor, Nina Wadia, who stars in Jack and the Beanstalk at York Theatre Royal. Nina, who grew up in India and Hong Kong, is the perfect guide to anyone who is not steeped in panto. She also discusses a career that includes her trailblazing sketch show, Goodness Gracious Me, the iconic British soap opera, EastEnders, and a terrible car crash that helped her embrace the vagaries of an actor’s life. She has also appeared in many other comedies (Still Open All Hours, All About Me, The Vicar of Dibley) and dramatic roles (Holby City, White Teeth, Skins).Nina's many awards include the Chairman's Award at the Asian Women Awards in 2004, Best Comedy Performance and Best Onscreen Partnership at the 2009 British Soap Awards, and the Outstanding Achievement in Television Award at the Asian Awards in 2013. She was awarded an OBE in the 2021 New Year Honours for services to entertainment and charity. Jack and the Beanstalk is at York Theatre Royal until 7 January 2024. Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

The new season of Why Dance Matters opens with one of the great ballet princes – David Hallberg, star dancer and now artistic director of Australian Ballet. The epitome of classical elegance, in his memoir, A Body of Work, he writes feelingly about being a boy who dances, and a dancer who yearns for perfection, even when at the height of a career as a principal at both American Ballet Theatre and at the Bolshoi Ballet. Now, he has pivoted from dancer to director, leading Australian Ballet to London as it celebrates its 60th birthday. David Hallberg was a principal dancer with American Ballet Theatre and the Bolshoi Ballet, a principal guest artist with the Royal Ballet and resident guest artist with the Australian Ballet. Author of the acclaimed memoir, A Body of Work: Dancing to the Edge and Back, he made history in 2011 as the first American to join the Bolshoi Ballet under the title premier dancer. He danced every major full-length classical ballet, along with works by leading modern choreographers. In 2021, he became Artistic Director of the Australian Ballet. You can find David Hallberg on:Instagram @officialdavidhallberg Twitter @DavidHallbergThe Australian Ballet performs in London on 2-6 August 2023.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Why Dance Matters often meets people whose interest in dance sits alongside expertise in a completely different field. Merritt Moore’s talents seem especially unlikely: she’s a Harvard-trained physicist who dances with robots. She is also a professional ballerina, performing at the highest level (most recently with Boston Ballet). Can the rigours of the ballet studio meet the intellectual challenges of the lab? During lockdown, Merritt began exploring the world of dancing with robots, and they now perform together across the world. And Merritt also dreams of being the first ballerina in space.Merritt Moore graduated with Magna Cum Laude Honors in physics from Harvard and with a PhD in atomic and laser physics from Oxford. She also pursues a professional ballet career, with the Zurich Ballet, English National Ballet and Norwegian National Ballet, and most recently Boston Ballet. An Adjunct Professor at NYU Abu Dhabi teaching Creative Robotics, she also appeared on the BBC series Astronauts: Do you have what it takes? During the pandemic, she programmed and danced with robots and has been invited to perform at Boston Ballet, Forbes Women's Summit, Harvard AI Opening and more.Or follow Merritt on social media:Instagram @merrittmoore Twitter @merrittmooreFind out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Wayne McGregor, one of the world’s leading choreographers, is an ideas man who makes abstract thought into thrillingly visceral dance. His collaborations are prodigious – from his own contemporary dancers to the world’s great ballet companies, and in film, fashion and more. He discusses his latest premiere for the Royal Ballet, his programme for the Venice Biennale and his game changing collaboration with ABBA. So many things matter to him – but why dance in particular?Wayne McGregor CBE is a multi award-winning British choreographer and director, internationally renowned for trailblazing innovations in performance that have radically redefined dance. Driven by an insatiable curiosity about movement and its creative potentials, his experiments have involved collaborative dialogue with an array of artistic forms, scientific disciplines and technological interventions, producing works that have placed him at the cutting edge of contemporary arts for over 25 years. His work has earned a multitude of awards, and in 2021 he received a Lifetime Achievement Award at the Prix de Lausanne.Find out more about Wayne McGregor on his website. Or on his social media:Instagram @studiowaynemcgregorTwitter @WayneMcGregorFind out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Alice Oseman’s work stops hearts – in a good way. They capture the delirious rush of first love, above all in the Heartstopper series – online, in books, and onscreen – which has become a sensation. Heartstopper is also all about young people finding ways to express themselves, creatively and emotionally, becoming the people they want to be – ideas that resonate with the RAD’s own ethos. But also: Alice’s mother is a dance teacher! What has dance given them?Alice Oseman is an award-winning author, illustrator, and screenwriter. Alice is the creator of LGBTQ+ YA romance comic Heartstopper, and the writer, creator, and executive producer for the Emmy-winning television adaptation for Netflix. Alice is the author of several YA contemporary novels about teenage disasters: Solitaire, Radio Silence, I Was Born For This and Loveless. The books have won, been shortlisted or nominated for awards including the YA Book Prize, Inky Awards, Carnegie Medal and the Goodreads Choice Awards. Alice was named Attitude Person of the Year 2023 and the British Book Awards Illustrator of the Year.Find out more about Alice on their website. Follow Alice on social media: Instagram @AliceOseman Twitter @AliceOsemanHeartstopper on Netflix: https://www.netflix.com/gb/title/81059939Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

‘Living in the movement’ is the motto of Australian Royal Academy of Dance teacher Mitchell Rayner. Enjoying and fully inhabiting your movement is a fantastic goal for anyone in dance. Mitchell came to dance training relatively late but progressed quickly, joining the Australian Ballet. He retired from the company in 2016, and re-trained as a dance teacher with the RAD, taking his philosophy of living in the movement through his practise and onto his own range of clothing. What was his journey from a dancing boy into a too-rare male ballet teacher?Mitchell Rayner began formal dance lessons in Newcastle, Australia at the age of 13, before taking up full-time dance studies with Tessa Maunder OAM. He joined the Australian Ballet School in 2005, and in 2008 the Australian Ballet. Retiring from the company in 2016 he chose to share his professional experience through teaching and mentoring, and has since taught for Sydney Dance Company, Australian Ballet, RAD, Tanya Pearson Academy, Ballet Without Borders and others. He attained the RAD Professional Dancers’ Postgraduate Teaching Certificate and is a registered RAD teacher.Find out more about Mitchell on his website. Or follow Mitchell on Instagram @balletwithmitchFind out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

The RAD’s flagship event, the Margot Fonteyn International Ballet Competition, gives young dancers a chance to learn from top professionals. This year’s coaches include Endalyn T Outlaw – dancer, educator, choreographer and Dean of the School of Dance at the University of North Carolina. Endalyn’s career is incredibly varied – she performed with the Dance Theatre of Harlem and in the original Broadway cast of The Lion King, she’s restaged ballets and developed a philosophy of dance teaching that is focused on helping dancers bring their whole selves to the stage.Endalyn T Outlaw – dancer, choreographer and educator – is dean of the School of Dance at UNCSA. She was previously director of Dance Theatre of Harlem School in New York – a company she joined in 1984, becoming a principal dancer in 1993 – and director of the Cambridge Summer Art Institute, Massachusetts. She has created an eclectic body of choreographic works and excels at restaging ballets, having worked with luminaries including Arthur Mitchell, Alonzo King, Agnes de Mille and Garth Fagan. She has performed on Broadway and internationally, including in the original casts of The Lion King and Aida.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

Jennifer White is a choreographer who occupies a unique sweet spot between RAD ballet, contemporary dance, Kylie and the year’s hottest movie: she is the choreographer of Barbie. Greta Gerwig’s film includes delirious dance sequences led by Margot Robbie’s Barbie and Ryan Gosling as Ken. Those scenes chart the film’s trajectory – in Barbie, dance really does matter. Jennifer has also choreographed films like the eerie Last Night in Soho, and worked with leading names in both pop and contemporary dance. And the young Jennifer did RAD ballet: so is Barbie herself RAD-trained? Jennifer White is a London-based movement director, performer and choreographer. She graduated from Rambert School of Ballet and Contemporary Dance. In 2006 she was nominated for the Critics’ Circle National Dance Awards for Emerging Artist, and in 2007, was highlighted as a breakthrough artist in The Observer’s Hot List. She has toured internationally with Hofesh Shechter, Russell Maliphant, Ballet Boyz and Kylie Minogue, and has choreographed and performed for Adele and Basement Jaxx. She choreographed for Marvel Comic’s ‘Avengers – Age of Ultron’, where she also coached and was movement double for Elizabeth Olsen, and for Last Night in Soho. She has worked extensively with choreographer Sidi Larbi Cherkaoui. She choreographed Barbie.Find out more about the work of the RADFollow the RAD on social media and join the conversation with host David Jays:Instagram @royalacademyofdanceFacebook @RoyalAcademyofDanceTwitter @RADheadquartersYouTube / royalacademydanceDavid Jays @mrdavidjaysSign up to our mailing list to keep in touch!RAD is an independent educational charity and does not receive regular government funding. Every penny we make goes back into the work we do. You can support us by either naming a seat as part of our Name A Seat Campaign or making a donation.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.