It’s April 19th, 1995, the 220th anniversary of the start of the American War of Independence, and two years since the violent end of the Waco, Texas siege. In Oklahoma City, a disaffected army veteran named Timothy McVeigh leaves a truck outside the Alfred P. Murrah Federal Building. Inside the truck is a bomb. At 9am, McVeigh lights the two minute fuse. When the bomb explodes, it kills 168 people and wounds 680 more.  In An American Bombing: The Road to April 19th, Marc Levin retraces McVeigh’s footsteps, showing how he went from being a war hero to a terrorist. Rather than look at McVeigh in isolation, however, Marc places his actions in the context of the evolution of political violence in the USA. It is an evolution that continues to the present day. In this episode of Factual America, Marc and Daphne discuss the making of the film. They look at how the bombing has become an almost forgotten moment in American history, the economic and military as well as historical background to the outrage, whether McVeigh acted alone, and how views that in the 90s were regarded as being extreme have now entered the mainstream. As we head towards the 2024 US Presidential election on November 5th, An American Bombing: The Road to April 19th reflects upon the dangerous journey of American democracy and the high price Americans have had to pay for their freedoms. Watch the episode at https://factualamerica.com “He may be dead but the ghost of McVeigh lives, and there are lots of people out there that subscribe to some of his thinking.” – Marc Levin

Climate change, terrorism, social inequality and poverty, wars between nations, and injustice. Things do not look too good for the world today, and there seems to be little to no hope for the future. A Brief History of the Future, a new docu-series on PBS, challenges this pessimistic outlook. Directed by Andrew Morgan and presented by Ari Wallach, the series visits people from all over the world who are doing something – no matter how big or small – to make the world a better place, not just for their today, but also for everyone’s tomorrow. Andrew is Matthew Sherwood’s guest on this episode of Factual America. Together, they explore: why humans are given to pessimism – ironically, the reason is not a negative one; the idea that what we regard today as possible was once thought to be impossible; and how creativity can come out of what Andrew calls ‘this season of chaos and complexity’. Andrew talks about A Brief History of the Future from an intensely personal perspective: he came to the series suffering from burnout after making other documentaries about problems facing the world. Conversely, his view of the future is both epic and dynamic: the future is a verb; we do it, make it, every day. Discover how on Factual America. Watch the episode at https://factualamerica.com “We have a bias towards negativity, but we also have this extraordinary capacity for creativity and imagination, and just goodness.“ – Andrew Morgan

Why would US military veterans take up arms against the country they swore to protect? This is the question at the heart of Against All Enemies, a new documentary by Charlie Sadoff. In it, Charlie explores the role disaffected veterans played in the January 6th attack on the US Capitol.  In order to better understand what happened on that day, he looks at the history of civil unrest involving veterans, from groups such as the Ku Klux Klan through to modern day extremist organisations like the Proud Boys and Oath Keepers. His journey takes him not only inside these groups but to the top as he meets their leaders. In conversation with Matthew Sherwood, Charlie discusses the answers he found to the question of why veterans join extremist groups, and what the aims of those groups are, as well as some of the people involved in them, including former National Security Advisor, Michael Flynn. He also considers whether there could be another January 6th attack, and if so, where. If the picture for veterans looks bleak, Charlie does offer hope. There are groups that help vets transition back to civilian life. But, as he tells Matthew, more needs to be done. Go behind the scenes of the threats and dangers facing America’s veterans in Against All Enemies with Matthew Sherwood and Charlie Sadoff on Factual America. Watch the episode at https://factualamerica.com “Jason Crow was a congressman... barricaded inside the floor of the chamber of the House... he asked this question, How did I a veteran end up on one side of this door, and other veterans who swore the same oath I did end up on the other side of this door? That to me was a very provocative question. And the fact that it was coming from him made it all the more powerful.” – Charlie Sadoff

God Save Texas is a three-part docu-series inspired by Lawrence Wright’s book of the same name. In each episode, an acclaimed filmmaker explores the past, present, and future of the Lone Star State.  Episode One is directed by Richard Linklater, Episode Three by Iliana Sosa. Episode Two is directed by Alex Stapleton, and she joins Matthew Sherwood to discuss what it was like returning to her hometown of Houston to explore the effect of Texas’ oil and gas industry on her family and local communities.  That effect has been vast, for though the energy industry has brought a lot of prosperity to Texas, the cost it has charged has been equally high. Nevertheless, Alex explains that she has hope in the future. That hope rests firmly on the local communities. And it is so strong that Alex has now returned to live in Houston permanently. Among the other topics that Alex and Matthew discuss are mythbusting, the industrial world that lies below Houston, how Lawrence Wright’s book helped Alex to articulate her mixed feelings towards Texas, and the absence and erasure of Alex’s community in Texas’ history. The main thesis of God Save Texas is that what starts in the Lone Star State will in time be experienced by the rest of the US. The series, therefore, can be seen as being both an epic and intimate drama. Go behind the scenes of Alex’s part in it on Factual America. Watch the episode at https://factualamerica.com “I think that the biggest lesson that I got out of making this film is that community is so important. And it's what makes Texas so unique... Texas has always had this wild wild west identity, but we find community, we build communities...the people of this state are pretty incredible.” – Alex Stapleton

Between 2001-19, head coach Bill Belichick created one of the most successful dynasties ever seen in American football. Under his leadership, the New England Patriots won a record equalling six Super Bowl titles. Guided by quarterback Tom Brady, the team also set a host of other NFL records, including most wins over a ten year period, longest regular season/play-off winning streak, and most consecutive divisional titles. But this era of nearly unprecedented success did not come without a cost, and the franchise was rocked by a number of controversies. Chief among them were the Spygate and Deflategate scandals. Through it all, however, the team kept winning. Could no-one stop the Patriots? As it happened, only the Patriots themselves could, and that is exactly what happened. In The Dynasty: New England Patriots, a ten-part docu-series now showing on Apple TV+, director Matthew Hamachek explores the rise and fall of the Belichick-Brady Patriot dynasty. How did it achieve greatness? This question is at the heart of the docu-series and opens Matt’s discussion with Matthew Sherwood. They discuss are what it was like interviewing Brady and the famously reserved Belichick, particularly when it came to asking them questions they would rather not answer. Other topics include the comparison to be drawn between the Patriots and Oscar winner Christopher Nolan’s Dark Knight, and how you make a compelling documentary about a team whose success made them incredibly unpopular. The Dynasty: New England Patriots is the fruit of 35,000 hours of archive footage and over 70 interviews with Patriot players and coaches from Bill Belichick and Tom Brady onwards. In this podcast, discover the ruthlessness, maniacal nature, and utter determination to succeed that made and maybe marred the New England Patriots’ dynasty. Watch the episode at https://factualamerica.com “... everything about this story surprised me... you hear about the cheating scandals... you get the caricature of what these people are supposed to be, and then as you dig deeper and deeper and deeper, you realise that behind all the headlines, there's just so much more, and these people are so complex and nuanced.” – Matt Hamachek

On November 13th 1974, Ronald DeFeo shot his family dead in Amityville, New York. Not long after he was convicted of the killings, the Lutz family moved into the DeFeos’ former home. They did not stay long. After just 28 days, they fled, claiming to have been driven out by paranormal activity. The Lutz family’s experience formed the basis of The Amityville Horror. Released in 1979, it went on to spawn a seemingly endless number of sequels, prequels, and derivatives: over 40 to date. In his docu-series, Amityville: An Origin Story, director Jack Riccobono explores what happened to both the DeFeo and Lutz families. Matthew Sherwood discovers in conversation with Jack that what took place did not happen in isolation. As Jack says, the 1970s was a dark time in America. There was fear in the air, abuse behind closed doors, an increase in drug addiction, and strange new belief systems sprouting up. Jack takes Matthew through the mystery of the silent rifle used in the murders, and the question of why the Lutz family moved into the DeFeo home: did they do it for commercial gain? Was it a hoax? He and Matthew look at the question marks over George Lutz’s character as well as George’s role in the perpetuation of the Amityville story: he never stopped pushing it. Greed, family dysfunction, sensationalism, the truth vs media misrepresentation. The origin of the Amityville horror is much closer to us than we realise. Watch the episode at https://factualamerica.com “I was drawn to this possibility of sort of this cross-genre exploration, and I really felt like there was something unique about this series...you had this true crime component, but then you also had this paranormal story, and then you had this sort of larger cultural landscape that we could explore.” – Jack Riccobono

The 1980s were a time of allegation and scandal in America. From the 1980 October Surprise, 1985-87 Iran-Contra Affair, and 1986-91 BCCI scandal, the decade seemed only to be going downhill. And in the midst of it all, the US Justice Department was accused of stealing PROMIS, a piece of software that could be used to create a programme that would allow the US government to spy on whomever used it. Danny Casolaro was a writer, poet, and investigative journalist. At the start of the 1990s, he began exploring what had happened to PROMIS, and it led him to see the theft of this software as being at the heart of America’s other major scandals. Before he could finish his investigation, however, Danny was found dead in a hotel bathtub, with both his wrists slashed. Did he kill himself, as the police believed, or was he murdered? That is the question at the heart of American Conspiracy: The Octopus Murders, a new docu-series on Netflix, directed by Zachary Treitz. He and co-executive producer Christian Hansen are Matthew Sherwood’s guests in this episode of Factual America. Together, they discuss what they found as they retraced Danny Casolaro’s footsteps in the last days of his life and what it was like for Zachary watching Christian disappear down a conspiracy rabbit hole before he himself followed him.  In the process Zachary and Christian uncover a murky web of scandal at the heart of American government. Or do they? Which of the incredible stories of Michael Riconosciuto, one of Danny’s major sources, and others can ultimately be believed? The filmmakers race around the country to interview subjects and get to the root of the story – all with the support and patience given to them by Netflix in the making of the series. American Conspiracy: The Octopus Murders takes a deep dive into the darkest corners of American business and politics. Make sense of it with Zachary and Christian in conversation with Matthew Sherwood. Watch the episode at https://factualamerica.com “Once you dip your toes into [this story] it's almost like a tar... some sort of magic ooze that kind of gets into you, as soon as you touch it. It's like what they say about the abyss... you stare into it and it stares back. This is that story. You touch it and it touches you and it kind of consumes you.” – Zachary Treitz

Tatiana Suarez was born into poverty, endured a “tumultuous [and] traumatic childhood”, and at school chose to compete in a sport – wrestling – that led to her being relentlessly bullied. She overcame every obstacle that life and people put in front of her and became a champion. And not just once, but multiple times. Finally, the greatest prize of all, Olympic glory, lay within her grasp. And then, she broke her neck. And as that was being treated, doctors discovered that Tatiana had cancer. In The Unbreakable Tatiana Suarez, Cassius Corrigan tells the story of how Tatiana overcame these seemingly insurmountable setbacks to achieve even greater success than before: with her neck injury meaning that Tatiana could no longer wrestle, she became instead a Mixed Martial Arts fighter. And with the absolute determination and drive to succeed that has characterised her life’s journey so far, she has beaten the hardest opponents, and won the toughest competitions. In this episode of Factual America, Matthew Sherwood discusses with Cassius Tatiana’s incredible life. We meet Tatiana the wrestling pioneer for both girls and Latinas, Tatiana the inheritor of a strong mindedness that will not brook denial, and Tatiana who remains the great “What If” of wrestling and MMA despite her achievements. Cassius also explores Tatiana’s family background and extraordinary work ethic. It has made her an icon of one of the most dangerous sports in the world. Watch the episode at https://factualamerica.com “... look at what Tatiana is risking every day... this is one of the greatest stories I've ever encountered in sport. I was willing to do whatever it took to bring it to life.” – Cassius Corrigan

Who is Mark Zuckerberg? That is the question at the heart of Nick Green’s new Sky documentary, Zuckerberg: King of the Metaverse.  We all know how Zuckerberg took Facebook from being a website accessible to just a few American college students in 2004 to one that is used by over a billion people worldwide in 2024. Along the way, he has acquired Instagram and WhatsApp making him one of the most wide reaching and influential men in the world today. But what are his thoughts? His views? What does he believe in? As Nick Green tells Matthew Sherwood, uncovering the man behind the avatar and update was hard. Unlike his social media rival, Elon Musk, Zuckerberg speaks only guardedly. The importance of his position, however, makes it worth taking time to unravel Zuckerberg’s life. As Matthew notes, he has gone from being a hero, to villain, and is now a survivor. For Nick Green, he has been a disrupter, someone willing to “move fast, [and] break things” in the pursuit of money. In doing so, Zuckerberg has had to navigate serious legal challenges and also the attention of American politicians, all of which, he has overcome.  In this year of important elections, a film about the man who could influence them by his actions or inaction could not be more timely. Especially since, as Nick points out, we can only hope that Zuckerberg is up to the challenge of what lies ahead.  Watch the episode at https://factualamerica.com On Facebook’s algorithm: “Curating what people see and curating what they are exposed to from a business perspective is extraordinary. But... it’s just caused the most horrendous problems.” – Nick Green

On the night of March 23rd 2015, Denise Huskins and Aaron Quinn were drugged and bound by a mystery assailant who had broken into their home. Denise was then kidnapped. When Aaron called the police the next day, they believed he had murdered her. Two days later, however, Denise – who had been sexually assaulted by her kidnapper - was freed. Now the police believed no crime had been committed at all, and that Aaron and Denise were hoaxers. The psychological thriller Gone Girl had been released just six months before. In American Nightmare, co-directors Bernadette Higgins and Felicity Morris explore both what happened and, as host Matthew Sherwood puts it, ‘the consequences of our cultural rush to judgement and the damage done when law enforcement and the media decide the truth can’t possibly be true’. The result is a three-part series that twists and turns and upends your expectations with every passing minute. In American Nightmare, light becomes dark, and dark turns into light. On this episode of Factual America, Bernadette and Felicity guide Matthew through Denise and Aaron’s story as well as the making of their series. Among the topics they discuss are how the unfair treatment of women who are victims of sexual crime motivated them to make American Nightmare, the true crime documentary that inspired and shaped the series, the extensive research that went into the making of it, and how American Nightmare offers the opportunity to get viewers to ask questions of themselves and others about how they treat other people. They discuss the betrayal of trust, self-doubt, and even out-of-body experiences that Denise and Aaron went through. Perhaps most surprising of all, however, is the point of connection that they find between American Nightmare and Pamela: A Love Story, the 2023 documentary about Pamela Anderson.  Watch the episode at https://factualamerica.com “This happened, and it happens a lot, and if it can happen to Denise and Aaron, it can happen to anyone.” – Bernadette Higgins

Lady Bird Johnson is best known today as the wife of Lyndon Baines Johnson, 36th President of the USA between 1963-69. However, there was much more to her life than simply the role of ‘First Lady’. In this episode of Factual America, Matthew Sherwood takes a deep dive into Lady Bird Johnson’s life with Dawn Porter, director of new documentary film, The Lady Bird Diaries.  It’s 1963. Liz Carpenter, Lady Bird’s Press Secretary, suggests that she records her ‘thoughts and experiences’ on a tape recorder. Lady Bird agrees and borrows one from Carpenter’s son. She never looks back. Over the next six years she will record 123 hours-worth of material about her day-to-day life. As Dawn tells Matthew, Lady Bird’s entries are ‘detailed and meticulous’: she had a degree in journalism and was a very good note taker. She was also, Dawn says, very disciplined, observant, and conscious of her place in history. This consciousness made Lady Bird an invaluable counsellor for her husband. So much so that in an age where there was no line of presidential succession, Lady Bird was even referred to as ‘Mrs Vice President’. The Lady Bird Diaries describe Lady Bird as ‘one of the most influential and least understood First Ladies in [American] history’. Matthew and Dawn discuss the detail of why that is so. They also explore her abilities as a strategist, how Lady Bird changed the way the White House works, and her political and public independence even from her husband. The picture they draw is of a woman who was more than equal to the challenge of the difficult age in which she lived, and which she so carefully recorded. For a fuller picture of Lady Bird, the Johnson White House and 60s America, this episode is a must listen. Watch the episode at https://factualamerica.com “She both did and didn’t accept the limit on her authority that society was giving her. She didn’t demand credit for her contributions but didn’t stop making them... her priority was getting things done.” – Dawn Porter

On January 28th 2017, a mosque in Victoria, Texas was burnt to the ground by an arsonist. In the aftermath, Victorians stood side-by-side with their Muslim neighbours. In A Town Called Victoria, Li Lu – who grew up in nearby Sugar Land, Texas – explores what happened next: to the town, its Islamic community, and to the arsonist, who was soon apprehended. Li joins Matthew Sherwood to discuss her series, its themes, which include white supremacy, patriotism and mental illness, as well as the limits of healing. Li looks back at her own upbringing, and shares how she discovered the arson attack had happened and its effect on her. She also discusses the role played in the making of the film by her DP, Halyna Hutchins, who was tragically killed on the set of Rust in 2021. Victoria’s story is a bittersweet one. For while there is solidarity and shared prayer, understanding and a determination to repair damage done, the arson attack also exposes deep and profound divisions: racial, political, and economic. And what’s more, this is not a story relevant to Texas alone. As Li puts it, Victoria is a ‘microcosm’ of every American community. A Town Called Victoria needed to be a sensitively made film. It could not have found a better and more informed director than Li Lu. Enter the heart of Texas and America with Li and Matthew Sherwood. Watch the episode at https://factualamerica.com “In terms of really reaching people, be brave and have a conversation that’s hard with someone that could use a conversation to be had with.” – Li Lu

Racism is a blight upon the United States of America, and has been all through the country’s history.  In Stamped from the Beginning, a documentary film featuring and based on the book of the same name by Dr. Ibram X Kendi, director Roger Ross Williams explores the history of racist ideas in the US. Using an innovative array of methods, including VFX, animation, and music, he explores how the Trans-Atlantic slave trade gave birth to racist ideas, and how racist myths regarding black hypersexuality and criminality still impact society today. Roger and Ibram join Matthew Sherwood to discuss their film, its themes, and the role of black women, both in terms of studying racism and as the interviewees of Stamped from the Beginning. Roger also notes the reason why he uses pop culture to tell the story of racist ideas in the US. It isn’t despite the fact that it has been used over the years to perpetuate racist ideas but because of it. Roger admits that making the documentary was hard. Fortunately, he liked the challenge! The result is a film that, as Matthew says, is both stimulating and uplifting. Racism may be a big part of the US’s story, but it is not the last word. Watch the episode at https://factualamerica.com “We hope that people – through the film – can begin the process of unlearning any racist ideas about black people that they have internalised...and that they would also begin to learn anti-racist ideas of racial equality.” – Ibram X Kendi

In 1983 America was overwhelmed by a disaster, the likes of which it had never seen before. Hysteria led to riots; mayhem became the norm. And the reason? Chubby, potato faced toys: the Cabbage Patch Kids. In this episode of Factual America, Matthew Sherwood meets Dan Goodman, co-executive producer of Billion Dollar Babies, a documentary about the rise and rise of the awkward looking but homely and utterly desirable Cabbage Patch Kids.  They discuss the origin of the Cabbage Patch Kids’ success, which can be traced back to the Post-Depression era but also owes a great deal to the improving economy of the early ‘80s and the increasing availability of credit.  But none of that would have mattered had the Cabbage Patch Kids not had that certain something that made them so special. Despite being mass produced, improved manufacturing techniques gave each doll a seemingly unique appearance. Each one could be ‘adopted’. And, most simply, they looked cute: cute enough to go through hell and high water at the local shopping mall for. Dan shares how he managed to get the man behind the dolls’ success, Xavier Roberts, onto the doc, while he and Matthew also discuss the roles played in the film by legendary news anchor Connie Chung, and actor Neil Patrick Harris. The Cabbage Patch Kids represent 80s excess at its best or worst, depending on your point-of-view. Step back in time to enjoy the good, the bad, and the immensely cute of it all with Matthew and Dan! Watch the episode at https://factualamerica.com “You think about these Cabbage Patch Kid riots... and it’s not like we looked at that and thought, ‘Boy, that was a terrible idea!’... Instead, we go the opposite direction... and that’s where we got to this Black Friday mentality.” – Dan Goodman

In 1999, Rose Tajiri, a second-generation Japanese-American, was diagnosed with dementia. She was 76. Over the following years, as her condition worsened, her daughter, filmmaker Rea Tajiri, became her caregiver.  In Wisdom Gone Wild Rea documents the journey that she and her mother took together, a journey that sees them navigate both the now of life with dementia and the past as Rose recalls memories from her early years, including the time she spent in an internment camp during the Second World War. The result is, as Matthew Sherwood describes it, a film that is ‘tender, bittersweet, [and] poignant’. Rea calls the film a ‘cinematic poem’, which follows the lines of her mother’s thought process, her ‘dream logic’.  As Rea makes clear, caring for her mother brought highs and lows, sometimes in unexpected places; Rose’s condition brought danger, but also the opportunity to explore, to find meaning. Most of all, it brought wisdom, not just in one area, but several: beauty, beauty in art, and in spiritual matters among others. Rea discusses her family’s accepting response to her filming her and her mother’s journey, the influence of her late father – a professional photographer – on this project, and offers advice born of her own experience to anyone who might be in the same situation: surrender, connect, enjoy. Living with dementia can be hard, but also meaningful, and even profound. Watch the episode at https://factualamerica.com “It was important to me to centre the film around how [my mother] communicated. I wanted to maybe have the viewer adjust a little bit of how they experience dementia.” – Rea Tajiri

Carlos is a documentary that takes the viewer from legendary guitarist Carlos Santana’s beginnings in Mexico to concerts across the world in a musical career that has lasted over fifty years. It goes off-stage as well, exploring his spiritual journey and life with his family, from mother and father, to siblings, and children. In this episode of Factual America, Matthew Sherwood meets Carlos’ director, Rudy Valdez, to discuss Santana’s storied life. Their conversation reveals Carlos as an innovative and laser-focused musician, a story teller with a brilliant memory, and a man always seeking to go further, deeper and higher, whether in his music or life beyond. In addition, Rudy shares how he came to direct Carlos almost despite himself, the intimate nature of the documentary’s production, and his determination to create a film that felt just like you were hanging out with Carlos himself, something that for Matthew made the film very cool, indeed! From fame to family, stardom to spirituality, mysterious tapes and revealing videos of walls, this episode of Factual America takes you from the past, into the present, and maybe even to the future. Plus at the end of the episode Matthew and Rudy have a conversation about the Golden Age of documentary: how Rudy defines it, its duration, and where he believes documentary film making finds itself now. Watch the episode at https://factualamerica.com “... what we always tried to do throughout this process is show the music, show it in relation to spirituality, show spirituality and the relation to family. And... come back to music, come back to spirituality, come back to family... all of those things were part of this collective consciousness for Carlos and they were always equally driving his journey and his life...” – Rudy Valdez

To call Sylvester Stallone a film star is only the beginning of any conversation about him. Movies such as Rocky and Rambo have made him an American icon. But even that barely scrapes the surface of who he really is.  In Sly, a new documentary film available to watch now on Netflix, director Thom Zimny takes a deep dive into Sylvester Stallone’s story. He starts with the actor we all know before introducing us to the man behind the persona: Stallone the writer, director, and even, painter. He goes further still, in fact, right to the heart of Stallone’s life: his relationship with his father, a relationship that for Thom redefined how he saw Stallone’s films. In this episode of Factual America, Thom joins Matthew Sherwood to discuss Sly, both man and film. Their conversation takes them from the beginning of Thom’s relationship with Stallone to its full flowering. Thom describes his approach to interviewing Stallone, and the energy that the latter brought to their conversation. He reveals how his work with Bruce Springsteen helped him navigate Sly, and the great trust that Stallone put in him, made real with a significant gift. Along the way, Thom shares some of the surprises that came out of making Sly, and even Stallone’s musicality. Join Matthew as he and Thom Zimny pull the curtain back on the real Sylvester Stallone – Sly by name, but open hearted by nature. Watch the episode at https://factualamerica.com “Sly went beyond a biopic for me because I felt like there was a chance to show an artist that gets lost with just a shorthand version of their life... I love the details that get lost, that make a film universal.” – Thom Zimny

In The Enfield Poltergeist, Jerry Rothwell uses over 250 hours of audio recordings made by paranormal investigator Maurice Grosse to revisit the case of 284 Green Street in Enfield, North London. There, for a period of eighteen months starting in August 1977, the Hodgson family witnessed furniture move of its own accord, objects get thrown across rooms, and heard disembodied voices speak. Or did they? Some investigators were convinced, others were not. In The Enfield Poltergeist, Jerry builds a replica of the Hodgson family’s house in order to recreate what – is alleged to have – happened, and he joins Matthew Sherwood to go behind-the-scenes of his film. They explore the mystery of poltergeists, disruptive activity that often centres on young people, the effect of the supposed hauntings on the Hodgson children, and how the Green Street case captured the imagination of the British press. Jerry reflects on his own background and how it might have influenced his decision to make The Enfield Poltergeist. He and Matthew also discuss the high-level background of the British Society for Psychical Research, of which Maurice Grosse was a member. Was 284 Green Street haunted? Is the question even relevant? Whatever your view, enter into the spirit of the season with The Enfield Poltergeist. Watch the episode at https://factualamerica.com “I think what's interesting is... how and why do a people - a group of people in a house come to believe something. [This] for me says a lot about all kinds of things in our modern world... why do we believe what we believe?... the evidence for those things is as much in the stories we tell, and are told, as in, you know, the hard scientific phenomena.” – Jerry Rothwell

Welcome to the first episode of the fifth season of Factual America! Joining host Matthew Sherwood is Yon Motskin, the director of Encounters, a new Netflix docu-series about four UFO/alien encounters from around the world. Encounters tells a story that is both epic and intimate in its range. It not only explores what occurred when a diverse range of witnesses – including school children, hoteliers, law enforcement officials, and rescue workers – came face-to-face with the seemingly impossible, but what happened afterwards to them, and those who investigated their stories. Some were able to move on; others, though, were bullied, faced ridicule, and professional ruin. All, though, have stuck to their stories. Matthew and Yon discuss what happened to the witnesses, their credibility or otherwise, and the profound differences between the interpretation of UFO sightings in Japan versus the US. They look at the nature of belief, and how what we believe can define our understanding of what UFOs may be. Yon also shares his appreciation for the involvement of Steven Spielberg’s Amblin Television in the making of the film. For Yon, Encounters is fundamentally ‘a human story’ with themes such as ‘consciousness and communication’ at its core. Whether you are interested in UFOs, psychology, mysteries, or the workings of the human heart, this is an episode for you. Watch the episode at https://factualamerica.com “I believe that they believe. Now, if whatever they say happened or not, I wasn't there, so, I couldn't tell you, but it's hard to discount... it's not one person in their backyard seeing something. It's dozens, and in many cases, hundreds of people all seeing the same thing, at the same time.” – Yon Motskin

Wayne Shorter has long been considered one of the greatest modern composers and musicians of American music. His career reads like a Who’s Who of the genre, starting with Art Blakey and The Jazz Messengers, then the Miles Davis Quintet, followed by solo fame and the founding of fusion super group Weather Report. His collaborations extend beyond jazz greats such as Herbie Hancock and Ron Carter to include Carlos Santana, Joni Mitchel, Milton Nascimento and Steely Dan, just to name a few.  In Wayne Shorter: Zero Gravity, acclaimed producer and director Dorsay Alavi moves beyond typical music doc territory to capture the essence of the man who touched so many lives, including her own. As Shorter’s long-time friend and music-video collaborator, Dorsay paints an intimate portrait and cinematic ode to a truly American visionary, innovator and icon.  Wayne Shorter: Zero Gravity is a three-part docu-series streaming on Amazon Prime from August 25th 2023, which would have been Shorter’s 90th birthday.  Watch the episode at https://factualamerica.com "There's so many layers to Wayne, but I would say mostly, he's a very, very principled person. And I believe that he has always been very authentic and true to what he has always done on an artistic level, [and] in life as well." - Dorsay Alavi