Over the last year. Joaquin Pedro Valdes has proved himself to be one of the most sought after West End performers. Last year, he starred in the sold out concerts of Death Note, made his Menier Chocolate Factory debut in the highly acclaimed revival of Pacific Overtures and is now about to return to the Menier for an eagerly anticipated revival of The Baker's Wife. Originally hailing from the Philippines, Joaquin takes time to talk to us about his move to London to make his career here after already establishing a successful career in his home country before joining the international tours of The Lion King and The King & I. Since arriving in London, he also starred in the premiere productions of Killing the Cat and Then, Now & Next and we can expect more exciting projects from Joaquin going forwards.In this special interview, Joaquin Pedro Valdes tells us about the journey he's made over the last few years and the joy he's found since arriving in London. He acknowledges the renowned talent that's based in the UK and the competition he's found himself facing whilst remaining inspired by his peers. He also pays tribute to his wife and his loved ones for continuing to support him in his career advancements. Now as he approaches the role of Dominique, Joaquin also tells us about his personal approach to tackling characters and why it feels like a masterclass working with this company at the Menier. Indeed, the show will see him starring opposite the likes of West End veterans: Clive Rowe, Josefina Gabrielle and Finty Williams. Composer Stephen Schwartz has also been in rehearsals to talk about the show and Joaquin shares his excitement at getting to continue working with so many great talents. It’s a very candid interview too and we hear Joaquin speak openly with heartfelt candour throughout our conversation.The Baker’s Wife runs at Menier Chocolate Factory from 6 July - 14 September.

Joshua James is one of the most ravishing actors on the UK Theatre scene, taking on principal roles at the National Theatre, Shakespeare's Globe and the Royal Court Theatre. He is about to make his Arcola Theatre debut in Laura Walden's new play Some Demon, as a nurse working in an institution for people with eating disorders. Laura Waldren's won the prestigious Papatango Prize for her first play which Joshua calls one of the best pieces of new writing that he's read in many years. Following on from the run at the Arcola Theatre, the show will also transfer to the studio at the Bristol Old Vic Theatre where Joshua will also be making his debut there. In our interview, Joshua James talks to us about the challenges of performing new writing and how to deal with sensitive subject matters such as eating disorders. He goes on to talk about the joy of getting to work on classic texts too having recently performed in landmark revivals of The Glass Menagerie and also The Vortex, where he starred opposite his real-life mother: Lia Williams. It's fascinating to hear him compare the experiences of working on existing texts compared to new work but he also tells us that it's important to approach classics afresh without holding them up with any particular reverence.  We hear him share his hopes for the future too as he continues to tackle thought-provoking work both in London and in the regions.Some Demon runs at Arcola Theatre until 6th July and runs at Bristol Old Vic Theatre from from 9 - 13 July.

After starting out in Pop Music in the 1980s-1990s, Frank Wildhorn made a transition to Musical Theatre with his first hit show being Jekyl & Hyde. Now nearly 30 years on, Frank has written over 40 musicals including Bonnie & Clyde, Carmen and Camille Claudel. In more recent years, Frank has also been exploring the manga genre with his show Death Note winning Best Musical in South Korea before a series of sold-out concerts in the West End last year. This year, he's returned with another exciting new show: Your Lie in April, another adaptation of a popular Manga series which sold out 2 concerts at the prestigious Theatre Royal, Drury Lane. The show is now due to return for a 12 week run at the Harold Pinter Theatre in the West End, with a cast led by Dean John Wilson and Zheng Xi Yong.In this brand new interview with Frank Wildhorn, he talks about the development of Your Lie in April and Death Note, and why it feels so exciting to bring these shows to London with majority Asian casts. He tells us about his fondness for Japan and South Korea, and his appreciation for audiences in those regions who have really welcomed and celebrated his work. He credits his son for being a major driver in his involvement with these shows. We also hear him look back over his career, making the move from pop music to musical theatre and how he's managed to not get pigeonholed as an artist with him most recently composing the Danube Symphony that was premiered by the Vienna Symphony Orchestra at the Musikverein. It's a fascinating discussion with one of the most prolific composers working today and it'll be exciting to see what Frank brings next to London as he continues to work on a variety of projects.Your Lie in April opens at Harold Pinter Theatre on 28th June and runs till 21st September.

Last year, Jack Wolfe won huge critical acclaim for his role as Gabe in the Donmar Warehouse's production of Next to Normal earning a WhatsOnStage Award, the Critic's Circle Theatre Award for Most Promising Newcomer as well as an Olivier nomination for Best Supporting Actor in a Musical. He is about to reprise his award winning role in the West End transfer of the Pulitzer-Prize winning show at the Wyndham's Theatre, starring alongside the  same Donmar Warehouse cast who all return this Summer. Earlier this year, Jack also starred alongside the original London cast of Spring Awakening for a special 15th anniversary concert.  Here, he also tells us how much both shows meant to him  growing up and shares his excitement around getting to take part in these projects.In this brand new interview, Jack Wolfe looks back over the last few years and reflects on the success he's found with projects like Next to Normal as well as Shadow and Bone and The Magic Flute.  He also opens up about his roots, growing up in Yorkshire as well as Wales, providing a glimpse into his warm, down-to-earth personality. Our interview also looks at some of his earlier work - playing Tobias in Sweeney Todd at the Lyric Theatre in Belfast and working on the premiere of The Magician's Nephew at the Royal Shakespeare Theatre in Stratford. Our interview also shows Jack’s vulnerable side as he also takes time to talk about his mental health and struggles with anxiety. Still, he remains very grateful for the friends he’s made during this journey and shares his hope for more opportunities to work on exciting projects going forward. His enthusiasm is quite infectious too telling us about his favourite musicals growing up and his love for his peers in the industry. It’s a fascinating and heartwarming conversation which we hope you enjoy listening to.Next to Normal runs at Wyndham’s Theatre from 18th June - 21st September.

As the new season at Chichester continues to get underway, Jack Riddiford sat down with us to talk about the eagerly anticipated revival of Harold Pinter's The Caretaker. Often regarded as one of the greatest plays of the 20th Century, we talk about how the show has managed to stand the test of time, as well as about what it's like getting to approach the character of Mick. The Caretaker also marks Jack's Chichester debut as well as Artistic Director Justin Audibert's directing debut in Chichester too. In the latest revival of Pinter's seminal play, Jack will also star opposite Ian McDiarmid and Adam Gillen. In this new interview with Jack Riddiford, we talk about his approach to tackling complex roles like Mick and what makes Harold Pinter still such a towering figure in the theatre industry. In our interview, he also shares his excitement at getting to work in Chichester and  his love for intimate theatres like the Minerva Theatre where the show will be playing. Most recently, Jack starred as Mercutio in Rebecca Frecknall's production of Romeo and Juliet at the Almeida Theatre following their collaboration on The Duchess of Malfi, also at the Almeida in 2019 where he played Ferdinand. Jack has also starred in the West End runs of The Inheritance and Jerusalem, working alongside the likes of Vanessa Redgrave and Mark Rylance. Now as he starts his run in The Caretaker, he shares with us what he's learned over the years about being a good company member and the importance of being egoless in a rehearsal roomThe Caretaker runs at Minverva Theatre from 8 June - 13 July

After arriving onto the London theatre scene. Daniel Monks has established himself as one of the most exciting actors around. He is now currently back at the Donmar Warehouse in Benedict Andrews' adaptation of The Cherry Orchard. He was last seen on stage in Jamie Lloyd's acclaimed production of The Seagull where he played the iconic role of Konstantin opposite Emilia Clarke and Indira Varma. Now as Pyotr Trofimov, he is once again demonstrating his prowess as an actor to audiences, and it is likely we'll see more spellbinding performances from him in the future.In this brand new interview with Daniel Monks, he talks to us about his London theatre career, looking back on highlights like The Normal Heart and The Seagull. He talks fondly of his time coming to London from Perth, Australia and the journey he has made from writing and directing to coming back to acting.  In our interview, Daniel also talks candidly about the ongoing struggles disable actors in the industry face, commenting specifically on the recent controversy around Shakespeare's Globe's casting of Michelle Terry in the role of Richard III. Still, he is encouraged by the progress made in London with actors like Lizzie Annis and Francesca Mills also delivering strong impacts on the industry. We also talk about the trailblazing directors he's worked with like Benedict Andrews and Jamie Lloyd who Daniel praises for having such courage to reimagine classic works. He also praises outgoing artistic director Michael Longhurst for his vision and openness to reimagining Richard III as Teenage Dick, bringing his talent to the consciousness of London audiences. It's a fascinating discussion and we look forward to seeing what else he does next in the future.

In a decades spanning career, Danny Sapani has become one of the most revered actors of his generation. After recently starring in the titular role of King Lear at the Almeida Theatre, he is currently playing Walter "Pops" Washington in the UK premiere of Between Riverside and Crazy at the Hampstead Theatre. Having previously worked on the Hampstead stage in Anderson's English, Danny tells us about the full circle moment of getting work opposite his drama school: Central School of Speech and Drama. Having gained considerable success on screen in dramas such as Killing Eve, Harlots and The Crown, we also get to hear him talk about his love for theatre and the excitement around getting to work during a particularly exciting time for the industry.In our interview, Danny Sapani talks to us about the parallels between Lear and Pops, and his love for the intellectual challenge of getting to play unlikeable characters. Between Riverside and Crazy sees him playing a retired policeman struggling to maintain control of his home, estranged from his son and dealing with demons from his past. The Pulitzer Prize winning play was first performed in 2014 in the United States and we hear Danny reflect on how the themes of the play are just as relevant now in a British context as they are in America. We also hear him talk about how the themes in the play speak to him in his current stage of life and share his gratitude to Stephen Adly Guirgis and Michael Longhurst for developing such a relevant piece of drama.Between Riverside and Crazy runs at Hampstead Theatre until 15 June.

Since leaving RADA in 2016, Jamael Westman has led productions at the Royal Court, Shakespeare's Globe and of course took on the title role of Alexander Hamilton in Lin-Manuel Miranda's blockbuster musical in the West End's premiere cast. Now, he is starring in the National Theatre's production of London Tide, an adaptation of Charles Dickens' Our Mutual Friend by Ben Power with songs by PJ Harvey. The show is currently playing in the Lyttleton Theatre and is directed by Ian Rickson. In the show, Jamael plays Eugene Wrayburn, a character that he particular admires and feels proud to be playing alongside a delightful cast of actors that includes Peter Wight, Tom Mothersdale and Bella Maclean.In this brand new interview, Jamael Westman speaks passionately about the importance of love and empathy in a world that feels increasingly apathetic. After starring in politically themed works like Hamilton and Patriots, he tells us about how he sees being an actor as a political act too and he encourages those around him to be more empathetic and show love to others. We hear him reflect on the parallels between Dickens' London and modern London where the gap between the rich and poor continues to widen. Still, he remains positive about the world we live and shares his hope that people will come away from his latest show wanting to take action and decrease inequality. He also tells us about his desire for diversity and representation in theatre, to showcase a London which he loves and comes from in the hope more diverse talent will enter the industry as well. It's a fascinating conversation which leaves you with plenty of food for thought and we hope you enjoy listening.London Tide runs at Lyttleton Theatre, National Theatre until 22nd June.

Since her debut in Godspell on tour in 1994, Anna Francolini has cemented herself as one of the most respected actresses on the UK stage. In a remarkable career now spanning 3 decades, she has since earned a TMA Award for Best Actress for playing the title role in The Prime of Miss Jean Brodie and worked on landmark productions of both plays and musicals. Some of her most notable credits include working on acclaimed productions of Stephen Sondheim's musicals such as Sam Mendes' Company, Michael Grandage's Merrily We Rolle Along, both at the Donmar Warehouse as well as Jamie Lloyd's Assassins at the Menier Chocolate Factory. She is now currently starring as Olivia in William Shakespeare's classic comedy Twelfth Night (Or What You Will), working opposite the likes of Julie Legrand and Richard Cant, under the direction of RSC Associate Artist Owen Horsley.In our interview, Anna Francolini talks candidly about the struggles of working in the theatre industry and tells us how grateful she is to be able to still find meaty roles 30 years since her debut. She tells us about her admiration for Shakespeare having previously worked on The Tempest, Romeo and Juliet and A Midsummer Night's Dream to great acclaim although remains humble about her knowledge about approaching his work. We also hear her share her excitement at getting to play in Regent's Park Open Air Theatre for the first time and getting to share in the magic of outdoor theatre. Over her career, Anna has also gained considerable credits on screen too working on House of the Dragon, Vera and Roadkill just to name a few. Still, she remains committed to theatre and live audiences and we hope to see her continue to share her incredible theatrical talents for 30 more years.Twelfth Night runs at Regent's Park Open Air Theatre until 8th June with tickets available NOW!

After Love Sick won rave reviews during its run in San Francisco, the show is premiering in London under a new title: A Song of Songs. In this brand new interview, the show's creator Ofra Daniel talks to us about the experience of bringing this story to the Park Theatre. The show sees her character undergo an extraordinary journey of discovering sexual and personal desires after realising she has a secret admirer. The show will play in the Park200 theatre which Ofra describes as an incredible space because of the intimacy it offers to audiences so they feel immersed within this world too.In this new interview with Ofra Daniel, we hear her reflect on her Middle Eastern roots and her interest in telling stories about relationships. She passionately tells us about her admiration for her fellow musicians and actors who are each able to bring a unique flare to this piece which blends Middle Eastern beat and flamenco rhythms. At a time when the world feels particularly divided, a magic seems to have been uncovered in the rehearsal space as people from all backgrounds are able to come together to create a show that truly celebrates diversity.A Song of Songs runs at Park Theatre from 9 May - 15 June.

2024 marks 10 years since Martin James Bartlett won BBC Young Musician of the Year and since then, he has garnered various accolades including the  inaugural Prix Serdang and the Queen Elizabeth The Queen Mother Rosebowl. He most recently released his 3rd album, La Danse inspired by French music and regularly continues to perform around the world in solo recitals as well as a guest for various major orchestras. At home, Martin has also continued to share his love of food and cooking with his followers on social media and he tells us about his passion for culinary arts in our interview. With classical music also still under siege by critics for being "elitist", we hear him dismiss these remarks pointing out how many popstars charge high ticket prices for concerts whilst encouraging those new to the medium to be open to the art form.In this brand new interview, Martin James Bartlett opens by reflecting over the last 10 years as a professional musician as he enters a transition phase from being a young artist to a more mature one. Many critics would point out that part of his charm has always been his maturity as both a performer and a gentleman, and it has been wonderful to see him grow into this role through his musical prowess. As he continues to showcase his ability to play a wide range of repertoire, we also get to hear him share advice for younger emerging performers, borrowing advice from heroes such as Dame Kiri Te Kanawa. As classical music also continues to evolve too, we feel certain that Martin James Bartlett will be part of the future of classical music.

In the last weeks of Opening Night, Hadley Fraser kindly sat down with us to talk about his experience with the show and to look back on some of his recent credits too. After graduating from the Royal Academy of Music, Hadley has proven himself to be one of the most versatile actors on the West End stage, taking on principal roles in both musicals and classic plays. Hadley has also worked extensively in regional theatre, championing venues like Chichester Festival Theatre, Sheffield Crucible and Manchester's Royal Exchange. During Josie Rourke's tenure at the Donmar Warehouse, he also worked closely with the Donmar team on a number of shows including Coriolanus, Saint Joan and City of Angels. The Donmar was also where he met his now-wife: Olivier nominee Rosalie Craig with whom they share a daughter. The couple still occasionally work together, most recently on a livestream of Stuart Matthew Price's Before After and we look forward to seeing the pair on stage again soon.In this new interview, Hadley Fraser opens up about his experience as a performer and as a creative. He talks to us about his current experience of putting together Opening Night with Ivo Van Hove and discusses the importance of taking risks, even when in a difficult financial climate. He admits he was aware the show would split opinion but remained intrigued by the avant-garde director's vision of the show and shares his admiration for Wessex Grove Productions, Rufus Wainwright and Ivo Van Hove. As he prepares to take his final bows next month, he remains grateful for the time spent with this company as he looks ahead to life after Opening Night.Opening Night runs at Gielgud Theatre until 18th May with tickets available NOW.

Since her debut in Fiddler on the Roof, Molly Osborne has proven herself to be one of the most exciting actresses to hit the London theatre scene. Her latest role sees her playing Rosie in Stephen Unwin's Laughing Boy at Jermyn Street Theatre, based on Sara Ryan's true story of her search for justice after her son Connor died in care. Steven Unwin also directs this new show which will also include Janie Dee, Alfie Friedman and Forbes Mason in the cast. This will also the mark the first time Molly has starred in Jermyn Street Theatre having previously worked extensively at the Menier Chocoalate Factory as well as at Southwark Playhouse. Following the London run, the show will transfer to Theatre Royal, Bath where Molly will also be making her regional theatre debut.In this new interview, Molly Osborne talks us through her career to date. Most recently, she starred in a 5 star production of The Curious Case of Benjamin Button alongside Jamie Parker. The production is due to transfer to the Ambassadors Theatre later in the year and we hear Molly reflect on her earlier roles in Fiddler on the Roof and Indecent. In a career that's only spanned 5 years, Molly Osborne has established herself as a force to be reckoned with in the theatre industry, taking on strong roles that she describes as inspiring to her, and helping forge a way for emerging talent too.Laughing Boy runs at Jermyn Street Theatre on 25 April - 31 May before transferring to Theatre Royal, Bath from 4 - 8 June.

After bursting onto the West End musical theatre scene in 2019 as the title character in Joseph and the Amazing Technicolour Dreamcoat in Laurence Connor's acclaimed revival at the London Palladium, Jac Yarrow has become one of the West End's fastest rising stars. After recently concluding a Toronto run of Joseph and a critically acclaimed run of Stephen Sondheim's Old Friends in the West End, Jac Yarrow is heading to Theatre Royal, Drury Lane to lead the 50th anniversary concerts of Pippin, taking on the title role.  Joining him will be a star-studded cast that includes Tony Award winner Alex Newell as the Leading Player and Olivier Award winner Patricia Hodge as Berthe; with Hodge previously playing Catherine in the original West End production of Pippin. In the upcoming concerts, Catherine will now be played by West End star Lucie Jones, with the cast supported by the London Musical Theatre Orchestra and a 50 member choir.In this brand new interview with Jac Yarrow, we take a deep dive into his career so far, looking back at highlights like Joseph but also At Last, It's Summer at the Palladium last year and Rodgers + Hammerstein's Cinderella at Cadogan Hall in 2019, also with the London Musical Theatre Orchestra. During our interview, Jac also talks candidly about his experience at ArtsEd following recent allegations into bullying and misconduct at the elite drama school. Although he admits he himself didn't experience anything abusive during his time, he acknowledges that other's experience may be different and entirely valid too. As he now approaches a new challenge with Pippin, he reflects on his time so far within the industry and shares his advice for emerging and graduate performers too.Pippin - 50th Anniversary Concert run at Theatre Royal, Drury Lane on 29th and 30th April. Tickets on sale NOW!

After over a decade in theatre, Olivier nominee Anoushka Lucas has established herself as one of the most exciting acts to arrive on the scene as a musician, actress and playwright. Her latest role sees her playing Elizabeth Proctor in Arthur Miller's The Crucible at Sheffield Crucible - also her first venture into regional theatre. Most recently, her debut play Elephant played to sold out crowds at Bush Theatre and her performance as Laurey in Oklahoma! at Young Vic Theatre earned her an Olivier nomination. As we entered this conversation, Anoushka talks us through her recent career highlights and shares her gratitude for all the experiences she's had so far as a creative.In this brand new interview with Anoushka Lucas, we hear her talk about her transition from playing ingenue roles to playing more mature roles like Elizabeth Proctor. We hear her talk about her admiration for Anthony Lau coming to the Crucible and her observations on how different audiences are in Sheffield compared to in London. After graduating from University of Oxford with a degree in Russian and Italian, Anoushka's career journey has been pretty extraordinary taking her to Regent's Park to play Mary Magdalene in Jesus Christ Superstar to playing opposite Kit Harrington in Henry V at the Donmar Warehouse to now The Crucible.  It's a fascinating conversation with plenty of good humour and we can't wait to see what she does next as she shares her hopes to play more strong female roles going forwards.The Crucible runs till 30th March at Sheffield Crucible with tickets on sale NOW.

After dazzling audiences last year as Willy Wonka in the UK tour of Charlie and the Chocolate Factory, Gareth Snook is preparing to make his Hampstead Theatre debut in April De Angelis' The Divine Mrs. S. The new play was recently shortlisted for the prestigious Susan Smith Blackburn prize with Gareth describing the play to us as genuinely funny and moving. In the show, audiences will see him play multiple characters including writer James Boaden and the painter Thomas Lawrence - both significant figures in Sarah Siddons' life which he show is about. The show is directed by Anna Mackin, with Rachael Stirling playing the title role of Sarah Siddons.In our interview, Gareth Snook opens up about his experience working on big musicals and his excitement at getting to originate a role for a brand new play. We also hear him talk of his admiration for Hampstead Theatre and their continued support for new writers and new plays during such a difficult climate for the industry as a whole. As one of only 2 male actors in the show, he also tells us about his admiration for for the women he's worked with in the past as well as the brilliant actors and creatives he's working with on The Divine Mrs. S. Since starting his career, Gareth has taken on roles in some of the best known productions in the West End including The Phantom of the Opera, Sunset Boulevard and Made in Dagenham so it was great to hear how much he is looking forward to performing in the gorgeously intimate space of Hampstead Theatre.The Divine Mrs. S opens at Hampstead Theatre on 22nd March, running till 27th April with tickets on sale now!

Victoria Hamilton-Barritt is one of the most acclaimed leading ladies on the West End scene today. After taking the West End by storm in the UK premiere of In The Heights, she has went on to tackle key roles in TheWild Party, Murder Ballad and Cinderella, earning Olivier award nominations for the latter two. Now, she is currently preparing to make her Charing Cross Theatre debut in the UK premiere of Bronco Billy, a musical adaptation of Clint Eastwood's 1980 Western, featuring a book by Dennis Hackin who also  wrote the screenplay. Here, audiences will get to see Victoria take on the role of Constance Lily, the wicked stepmother of Emily Benjamin's Antoinette Lily. Of course, this is not the first time Victoria has played a villain and throughout our interview, we hear her talk about her love for bringing out her naughtier side and how she goes about developing characters like Constance and the Stepmother in Cinderella. In this brand new interview, Victoria Hamilton-Barritt shares her excitement at reuniting with Tarrin Callender after working together on The Odyssey at the National Theatre last Summer. As a long-time champion of new musicals, she tells us about the joy of getting to create a character and her passion for building comedy in an intimate venue like Charing Cross. We also hear her talk about the challenges of working in such a high pressure industry as she reflects on the juggle of being a West End performer and a mother to two young children. It's a fascinating conversation where we hear about some of the harsher realities of being a West End leading lady as well as the joys that come with the job. Indeed, Victoria happily admits to her love for playing villains and we can't wait to see what she does with Constance Lily in this new show.Bronco Billy runs at the Charing Cross Theatre from 24 January - 7 April with tickets on sale now!

Ahead of the opening of Exhibitionists at the new King’s Head Theatre, award winning writer Shaun McKenna sat down with us to talk about his brand new show and how it feels to have his work premiere at the theatres brand new home. After successful revival of his musical adaptation of The Lord of the Rings last year too, Shaun seems to be experiencing a new high in his career, working with many other celebrated names in the industry. In our interview, he talks to us about the joy of collaborating with Andrew Sickle on developing this comedy which he hopes will appeal not only to gay audiences but to all audiences who go to see it.During the course of our conversation, we also hear Shaun McKenna reflect on his career. Having started out as an actor, he tells us why he left acting and pursued writing instead. Since then, he has worked as a playwright, lyricist and screenwriter. He has written both original works and adaptations and gives us a glimpse into his passion for the entertainment industry.Exhibitionists opens at the Kings Head Theatre on 8 January and runs till 10 February!

Olivier Award winner Elliot Levey was last at the Almeida for Nine Lessons and Carols, and before that in Three Sisters. Now, he has returned to London's top producing house in Cold War: Conor McPherson's adaptation of Pawel Pawlikowski's Oscar-nominated film. Over the course of his career, Elliot has established himself as one of the most recognised actors in British theatre. As Kaczmarek, he helps set up the story of Cold War, setting out the importance of traditional folk music in post-war Poland. Indeed, music plays a very important role in the story of Cold War and audiences are treated to a luscious score by Elvis Costello in this exciting London premiere.In this brand new interview, Elliot Levey opens up about his career working with the likes of Rupert Goold and Elvis Costello, but he also talks about working with Mike Bartlett on Snowflake and his experience of working on unsuccessful pieces like Take Flight at the Menier Chocolate Factory. He tells us about his love for telling compelling stories and seeing audiences moved after a performance. With one of the most familiar faces on stage and screen, he remains constantly excited by new collaboration opportunities having worked with directors such as Stephen Frears, Rebecca Frecknall and even Madonna. Naturally a curious thinker, audiences continue to be delighted by his performances and it's likely we'll have more intriguing performances from him to look forward to.Cold War runs at the Almeida Theatre until Saturday 27th January 2024.

After winning the coveted role of Cilla Black in Bill Kenwright's tour of Cilla the Musical, Kara Lily Hayworth quickly became one of the industry's most exciting newcomers. After the tour finished, Kara took on the iconic role of Sally Bowles in Cabaret, working opposite Anita Harris and John Partridge. Over her career, Kara has also taken on the role of Maggie May in a production at Finborough Theatre and was also in Stand and Deliver at the King's Head Theatre. Most recently, she finished filming on Assassin's Guild with Stuart Brennan and is now regularly a feature guest in West End Sings... at The Crazy Coqs.In this brand new interview, Kara Lily Hayworth looks back on her career highlights and also shares about how motherhood has changed her as a person. She talks fondly of her former co-performers and about the shows she's gotten to do so far. Kara also tells us about her hopes for the future as the industry continues to recover from the effects of the pandemic and we look forward to seeing what else she does next.