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La finta semplice, K. 51: Sinfonia (Excerpt)
However Complex Its Genesis
Symphony No. 24 in B-Flat Major, K. 182: II. Andantino grazioso (Excerpt)
Another Work That Stands Out Among Mozart’s Early Repertoire
Missa solemnis in C Minor, K. 139 "Waisenhausmesse": I. Kyrie (Excerpt)
Returning to Salzburg After His Three Italian Sojourns
Symphony No. 25 in G Minor, K. 183: I. Allegro con brio (Excerpt)
Piano Sonata No. 7 in C Major, K. 309: II. Andante un poco adagio (Excerpt)
Despite His Demanding Schedule
Symphony No. 31 in D Major, K. 297 "Paris": III. Allegro (Excerpt)
Happiness, However Soon Turned to Despair
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile (Excerpt)
By Way of Mannheim and Munich
Mass in C Major, K. 317 "Krönungsmesse" (Excerpts): II. Gloria [Excerpt]
Over Time, Mozart Appears to Have Played
Concert Rondo in D Major, K. 382 (Excerpt)
Mozart’s Keyboard Playing Was Widely Recognised
Die Entführung aus dem Serail, K. 384: Martern von aller Arten (Excerpt)
Shortly After the Premiere
String Quartet No. 16 in E-Flat Major, K. 428: II. Andante con moto (Excerpt)
While Instrumental Genres and Chamber Music
Le nozze di Figaro, K. 492: La vendetta, oh, la vendetta! (Excerpt)
There Are Reports of Encores at the First Performances
Don Giovanni, K. 527: Don Giovanni, a cenar teco (Excerpt)
On Returning to Vienna, Mozart Received Good News
Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace (Excerpt)
Seemingly Keen for a Change of Scene
Così fan tutte, K. 588: Come scoglio (Excerpt)
Besides Così, Mozart Completed Relatively Few Compositions
Die Zauberflöte, K. 620: Der, welcher wandert diese Strasse voll Beschwerden (Excerpt)
The Magic Flute Was Not Mozart’s Only Stage Work of 1791
Clarinet Concerto in A Major, K. 622: II. Adagio (Excerpt)
The Clarinet Concerto Marked Mozart’s Farewell
Requiem in D Minor, K. 626: II. Kyrie (Excerpt)
Having Become Ill Towards the End of November
Mass in C Major, K. 317 "Krönungsmesse" (Excerpts): Sanctus [Excerpt]
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