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Partita in G Major: Menuet
December, 1942: No. 1. Come Away, Death
Introduction to The Bewitched
The Bewitched: Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
The Bewitched: Scene 2: Background for the Permutation of Excercises in Harmony and Counterpoint
The Bewitched: Scene 3: Background for the Inspired Romancing of Pathological Liar
The Bewitched: Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
The Bewitched: Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
The Bewitched: Scene 6: Background for the Euphoria on a Sausalito Stairway
The Bewitched: Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
The Bewitched: Scene 8: Background for the Apotheosis of a Court in its Own Contempt
The Bewitched: Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
The Bewitched: Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
℗© 1998 Innova
